Tuesday, October 21, 2014

Thank you, Sam

What an inspiring man he is! I couldn't agree more with what he says.
 Enjoy this talk about happiness.


Friday, October 17, 2014

Tin House


On browsing literary magazines at Barnes & Noble I came across Tin House. The cover was intriguing and enticing, but there was much more to it.
  It was one of those days when concentration drifts away easily and worries grip the mind. Yet as soon as I began reading one of its short stories I was enthralled. I knew I had to read it till the end. One paragraph brought me to the next with ease. I could not put it down. I was hooked.
  The  first story I read was "Mr. Voice" by Jess Walter. It had quirky characters and there were twists that I did not expect. It flowed well and there were no descriptions that bogged it down. It made me laugh.
   I later read  essays, poems and other stories from Tin House and I was not disappointed.
   Above all, I love the essays. The themes resonate; honesty shines through them for they have the simplicity and the complexity of human experience.  Tin House helped me to learn a lot about the society I live in.  Diving into it is like finding a treasure of interesting anecdotes, insightful reflections and thought-provoking situations that strike a chord, so if you are thinking of reading a literary magazine, try Tin House.
  Just in case you are wondering about the art cover, let me tell you that it was created by Emily Winfield Martin, a Portland artist. Her artwork explores "the implications of masks... personas and disguises." It addresses ideas of belonging and hints at the strange relationships found among kinfolk.

 Tin House is a house where the untold dares to be told.

Wednesday, October 8, 2014

Still I will rise

What a powerful poem! Last weekend my family and I attended a play that combined poetry and dance. This poem by Maya Angelou was recited.
May you all have a peaceful week.

Still I will rise

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I will rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history's shame
I rise
Up from  a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave
I rise
I rise
I rise.

                                                 Maya Angelou

Thursday, September 25, 2014

Friday, September 19, 2014

Homage to Catalonia


“One of the most horrible features of war is that all the war- propaganda, all the screaming and lies and hatred, comes invariably from people who are not fighting.”
George Orwell
   I already wrote about George Orwell’s “Down and Out in Paris and London”, a non-fiction book about his life as a homeless man in the early 1930's in Paris and London.
George Orwell died at age 46. During his short life he fought in the Spanish Civil War. In Homage to Catalonia George Orwell transports us to Barcelona during the years 1936 and 1937.  Without sentimentality, he exposed the reality of a war that gnawed at the human spirit.
  It is an invaluable feat to be able to reveal one’s truth while acknowledging that this truth may be biased by one’s personal perspectives. I believe this is a sign of wisdom, a humble approach to sharing personal experiences:
      “I hope the account I have given is not too misleading. I believe that on such an issue as this no one is or can be completely truthful. It is difficult to be certain about anything except what you have seen with your own eyes, and consciously or unconsciously everyone writes as a partisan. Beware of my partisanship, my mistakes of fact and the distortion inevitably caused by my having seen only one corner of events. And beware of exactly the same things when you read any other book on this period of the Spanish war.”
 As he described the different political movements (anarchists, communists, PUOM), I came to the realization that the boundaries between them became blurred. Orwell explored a territory that was crippled by deception, paranoia, hatred, and false accusations between the parties.
 Aside from plumbing the tendencies and features of the political parties that were involved in this war, George Orwell narrated the shocking details of his daily life during this chaotic time. The soldiers were unable to change their clothes for months. When they slept they had to keep their boots on lest somebody attack them.
  “All of us were lousy by this time; though still cold it was warm enough for that. I have had a big experience of body vermin of various kinds and for sheer beastliness the louse beats everything I have encountered. Other insects, mosquitoes for instance, make you suffer more, but at least they aren’t resident vermin. The human louse somewhat resembles a tiny lobster, and he lives chiefly in your trousers. Short of burning all your clothes there is no known way of getting rid of him. Down the seams of your trousers he lays his glittering white eggs, like tiny grains of rice, which hatch out and breed families of their own at horrible speed. I think the pacifists might find it helpful to illustrate their pamphlets with enlarged photographs of lice. Glory of war, indeed! In war all soldiers are lousy, at least when it was warm enough. The men who fought at Verdun, at Waterloo, at Flodden, at Senlac, at Thermopylae—every one of them had lice crawling his testicles.”
  The atmosphere of suspicion made everybody paranoid:
“Various people were infected with spy mania and were creeping round whispering that everyone else was a spy of the Communists, or the Trotskyists, or the Anarchists, or what-not. The fat Russian agent was cornering all the foreign refugees in turn and plausibly that this whole affair was an Anarchist plot.  I watched him with some interest, for it was the first time that I had seen a person whose profession was telling lies—unless one counts the journalists.”
 Unlike the journalists, Orwell tried his best to be objective by exposing what he witnessed.
   Enticed by the ideals of freedom and equality Orwell fought for the PUOM.  He believed that fighting was necessary to defeat fascism. Yet, at later stages, the group for which he fought was accused of being fascist and was suppressed by law. This meant that every person who had been enlisted was persecuted and incarcerated without trial.  For this reason George Orwell and his wife had to escape from Spain. They fled to France with the aid of the British consul.
  Political prisoners lived on scanty food, in filthy conditions, under the pressure of an uncertain future.  People who tried to visit the prisoners more than once were considered suspicious and ran the risk of ending up in jail for no reason.
 Another interesting aspect of his memoir is the description of Barcelona at different stages of the revolution.  Not only did he describe what the city looked like through vivid, interesting scenes, but he also disclosed the way people behaved and interacted.
  All in all, this memoir is a vivid testimony of a period ravaged by war. It is the story of a man who dared to show how his ideals were at odds with the political reality. Orwell expanded these situations and experiences by carrying them into the realm of fiction: he wrote his novels1984 and Animal Farm, two masterpieces that explore the deceit of the totalitarian regimes. In doing so, he dwelt on the stratagems of the political power, the slogans and the realities underlying those slogans.  
   Orwell was an Englishman fighting in Spain, and the fact that he was an outsider made the stories even more compelling. Even though he had seen the darkest side of humanity during the war, he did not lose his faith in human decency. He had met Spaniards who had given him whatever they could to help him. Their kindness was heartwarming-- to the point of being comical at times.
 After reading this book I pondered over the concepts of reality and truth. Reality is what really happens. Truth is the perception of reality. People can tell you different “truths” about a specific event, and their different versions of reality are colored by their preconceptions.
 A totalitarian regime imposes the existence of an absolute truth, and those who do not adhere to it are in trouble.
Homage to Catalonia sold poorly in England and it was not even published in America. Perhaps reality is not always welcomed by the masses.



Wednesday, September 17, 2014

Books I will be reading

   I have a passion for literature, poetry and writing. My zest for reading and writing is the driving force of my posts, and it continues to be the inspiration of this blog.
 This weekend I will be posting an essay on George Orwell's "Homage to Catalonia", a book about the Spanish Civil War.


In the next few months I will probably be less active on the blogosphere to devote more time to reading and writing.
Some of the books that have been patiently waiting for me are the following:

Roberto Bolano's "The Savage Detectives",  a novel about the lives of a group of young poets from Mexico.





The Essential Tales and Poems of Edgar Allan Poe. His poetical prose is captivating. He is the kind of writer who speaks directly to my soul.

















 
Julia De Burgos's Song of the Simple Truth. The complete poems of Julia De Burgos, a bilingual edition. In addition to her poems there is a fascinating introduction about her life.
 Her poetry is mesmerizing.







James Joyce's Ulysses. If you have followed my blog for a while you know that I wrote about  "A Portrait of The Artist as a Young man" so I  am now compelled to read what happens next...

Jane Hirschfield's "The Lives of the Heart", a poetry collection.

A poetry collection by HD which I found when I was browsing books of poetry at a bookstore.


What are you planning to read?



Sunday, September 7, 2014

The mystery of poetry


"How do I explain these poems? Not at all. I quit teaching in colleges because it seemed so criminal to explain works of art. The crisis in my teaching career came, in fact, when I faced an audience which expected me to explain 'Dubliners' by Joyce."
Kurt Vonnegut, Jr.

 Sometimes I hear people saying that they don't understand poetry.
A poem is not to be understood. It is to be felt, experienced, lived. This is the reason why people can either love a poem or be indifferent to it.
 A poem is an intimate space of possibilities. When you listen to music you don't expect to understand it. You connect to it or you don't.
 Education is deeply concerned with logic and rational thinking, but poetry transcends the boundaries of logic. It is not confined to this type of thinking. The creative process engages an intuitive side that mingles with emotions. Poetry paints music with words. It composes paintings on words; it writes a dance.  It sparks a connection to you... or it doesn't. That is poetry.