Thursday, October 12, 2023

A Coup by Phyllis Skoy

 


    This mesmerizing novel made me reflect on the power of friendship and love. Adalet is a Muslim woman in love with Mark, a Jewish man in New York. Mark wants to marry Adalet, but Adalet is apprehensive about moving to New York. Yet they sustain a strong long-distance relationship.  She lives in Istanbul, Turkey. Adalet is Nuray’s best friend. Nuray also lives in Istanbul, where she works as a journalist; she is the owner of a small Women’s magazine.

 Who can anticipate that a small magazine can get in trouble for criticizing the president of a country? The problem is that when the president behaves like a tyrant, the simple act of expressing a disagreement can be a death sentence… or an excuse to be tortured, beaten and even raped.  The situation of dissidents in Turkey reminds me of the one in Russia under Vladimir Putin. Tyrants behave in similar ways wherever they have a chance to rule. (Iran is another example that comes to my mind, and it is a reminder of the consequences of allowing religion to infiltrate the government).

 One day, on her way to visit Adalet, Nuray crossed paths with a soldier who served the interests of the president. This happened in July 2016. The streets of Istanbul were in turmoil, so she was compelled to report what was going on. When she showed the young soldier her journalist identification card, the soldier grabbed it. He would later threaten to report her to the police if she did not sleep with him. Nuray refused to acquiesce to his harassment. This would lead to her arrest.

  Nuray had written a couple of articles criticizing the president, which was enough of an excuse to be arrested, jailed and accused of being a terrorist. Tyrants take advantage of situations of political unrest to gain support and persecute dissidents. In fact, Erdogan called the attempted coup of 2016 a “gift of God.”

 The so-called soldier would later desert his post in the army to join a radicalized terrorist organization…

   Reading A Coup by Phyllis Skoy has been a remarkable experience. The tension is so intense that it is difficult to put this novel down. We root for the main characters as we contemplate the different aspects of their culture and life in Turkey. I inhabited their minds while I "savored" their foods, appreciated their surroundings and plunged into the depths of their conflicts and situations. I feared for their safety and wondered about their future. I kept thinking of them when I was not reading the book. This is what good literature does. It fosters empathy, which is why tyrants support the banning of books. The novel may help people understand the horrifying consequences of enabling tyrants who support authoritarian regimes.



  Tyrants sow hate and division. They scapegoat groups of people, oppress anybody who dares to disagree with them--even if they belong to the same party. They censor and distort information to abuse their power. The novel shows clearly how an authoritarian regime ruins the lives of people.

  Phyllis Skoy entices the reader into the realms of a vivid experience. The story delivers something invaluable in response to the intrigue it creates. I researched the context of the novel, and I am sharing supplementary reading material at the bottom of this post to help you gain a deeper understanding of the present situation.



   One of the central aspects of the novel is the friendship between Adalet and Nuray. Their friendship helped Nuray during the darkest moments of her life, but there are other threads of resilience that propelled Nuray forward amid her calamities, and I will let the readers find those. These aspects of the novel can inspire fruitful conversations about resilience…

     Phyllis Skoy’s first novel, What Survives, was shortlisted by the Santa Fe Writers project and was a finalist in the New Mexico/Arizona Book Awards and First Runner-Up in the Eric Hoffer Grand Prize shortlist. Her memoir, Myopia, is about what it is like to grow up with a refugee father consumed with the fears and struggles of his past.

   I received A Coup in exchange for an honest review, and I now have the privilege to interview the author, Phyllis Skoy, for My Writing Life blog: Awareness, Reflection, Inspiration. I thank her for her time and cooperation. 

 Interview

Julia: I was impressed by the details on the social and political situation in the novel. These details are woven carefully into the plot of the novel. In-depth research is required to attain this. What sources of information helped you?

 

Phyllis: I read a great deal, both novels and nonfiction, poetry and essays. I have a friend who is a retired AP journalist who sends me all the articles she receives on Turkey. There is a good deal of propaganda circulating in both in the Turkish press media and in social media, so I do my best to read as much as possible and to sort it out as best I can. I was asked the very question that you have posed by a young Turkish gentleman in a predominantly Turkish audience. After I responded as I have above, I asked him if he had been able to recover all the facts from the attempted coup. He acknowledged that he had not and everyone smiled. As we know all too well, even from our own government, the truth is often obscured. Turkish politics are extremely complicated. But remember, the novel is fiction, even though it is historically based.

 

Julia: The Turkish culture is vividly featured throughout the novel. How did you accomplish this? What inspired you to write A Coup?

 

Phyllis: My husband and I first traveled to Turkey in 1998. We both fell in love with Turkey, its people and its culture--not uncommon for American tourists. I became very friendly with several Turkish women. When we moved from Manhattan to Placitas, New Mexico, I learned about The Turkish House (The Raindrop Foundation) in Albuquerque. I studied the Turkish language for two years there, as I believe that language shapes people and cultures, and I joined their wonderful cooking classes. The language was very difficult for me at this point in my life, but I will always be grateful for what I gained from its study. My husband and I returned to Turkey in 2014, and we rented an apartment in Istanbul so that I could work on the first novel in A Turkish Trilogy, entitled What Survives. When the attempted coup happened in 2016, I was on WhatsApp with the Turkish woman who had rented us the apartment in 2014. Her experience was frightening, and I knew then that I would have to write about it.

 

 

 Julia: You have a talent for developing realistic characters and getting inside their minds. You make them interesting and intriguing. I was hooked from page one. Are these characters based on people you’ve met in real life?

 

Phyllis: In “real life” I was a psychoanalyst. For a time, I was a psychotherapist for the Deaf in American Sign Language (ASL) I also worked with children and families. After a time, I narrowed my practice to psychoanalytic patients on the couch. I retired in December of 2018. All of my characters are conglomerates of people I have known in my practice or in my nonprofessional life. No character is based on any one individual. Since I have studied the workings of the human mind for many years, listened to so many stories, I suppose it is not difficult to make them feel real. That is what I attempt to do, in any event, and so I thank you for your kind words.

 

 Julia: Are you planning to write another book about Nuray and Adalet?

Phyllis: After completing the trilogy, I decided to take my next novel in a different direction. Although it is difficult to leave Adalet, most especially, since she is also my protagonist in What Survives, I wanted to address different issues. The second book in the trilogy, As They Are, a prequel to What Survives, focuses on Fatma, an older friend and mentor to Adalet in the first novel.  As They Are goes back in time to the fall of the Ottoman Empire and the establishment of The Republic of Turkey. Nuray appears only briefly in What Survives, and not at all in As They Are. Again, my objective is not so much to convey history but to focus on how history, how politics, how disaster, affect ordinary people.

The earthquake in Turkey in February 2023 has given me an opportunity to take on several topics of importance to me through new characters, some Turkish and Muslim, some American/Turkish and Jewish. Antakya, Turkey was devastated in the earthquake, killing the last leaders of a tiny remaining Jewish community there. This fact caught my attention and stayed with me. Immediately, I began to read and research this compelling topic. I hope to do this topic and related issues justice in my current undertaking.

 

 

    Supplementary reading material:

https://www.brookings.edu/articles/turkeys-new-media-law-is-bad-news-but-dont-report-it/

https://www.hrw.org/news/2022/10/14/turkey-dangerous-dystopian-new-legal-amendments

https://www.washingtonpost.com/opinions/2021/06/15/turkey-erdogan-enes-kanter-renditions-critics/

https://time.com/5885650/erdogans-ottoman-worry-world/

https://stockholmcf.org/i-heard-screams-of-women-being-raped-at-a-turkish-detention-center-says-torture-victim/

 https://www.turkishminute.com/2020/12/31/female-journalists-turkey-face-discrimination-and-harassment-at-work-says-media-association/

 

 Photographs are courtesy of the author.

 A special thank you to Cristina Deptula for her cooperation and support.

 

Wednesday, October 4, 2023

A Spotter's Guide to Invisible Things by Laura Theis

 


 Laura Theis’s poetry is whimsical, playful and provocative. Her poems dance in a duality of qualities: subtle messages that are deep in their implications. Sadness and humor sometimes complement each other. 

 The originality of her literary approach marvels the reader while communicating something about the world, society or human nature.

  Her poetical world immerses itself in the life stories of people to illuminate slices of experiences, or maybe to just honor the beauty that goes unnoticed when we don’t take the time to pay attention to it. For example, the delight of a sunset offering a delicate farewell to the day.

  I feel a connection to the title of this collection… It appears to allude to those who perceive nuances around them. It refers to a certain perception, the acknowledgement of an ability to sense something that tends to go unnoticed by most people. Those invisible things may be aspects of reality to which others are callous and indifferent.

   Some of her poems in A Spotter’s Guide to Invisible Things contain an unexpected ending that may surprise the reader. Others celebrate the simplicity of life, exposing the essence of unique moments of contemplation.

   The evocative power of her words kindles a sense of intrigue, a musical rhythm skillfully woven into it. One is left wondering about the characters that hover in those poems, treading with soft steps through the stanzas, never to come back again. We are left longing for more...

   I thank the poet for kindly sharing her book with me for My Writing Life.

   Laura Theis was born and raised in Germany, in a town where all the streets and roads had names of mythology or fairy tales. She now lives in the UK and writes in English. She received a Distinction from Oxford University’s MSt in Creative Writing. Her works have appeared in Poetry, Mslexia, Rattle, Magma, Strange Horizons, and in various anthologies.

  Her Elgin Award-nominated debut How to Extricate Yourself, an Oxford Poetry Library Book-of-the-Month, won the Brian Dempsey Memorial Prize. She was the recipient of the Society of Authors’ Welton Award, the AM Heath Prize, EAL Oxford Brookes Poetry Prize, Mogford Prize, Hammond House International Literary Award, the Alpine Fellowship and a Forward Prize Nomination. A runner-up for the Mairtin Crawford Award. She was shortlisted for the Women Poets’ Prize, the Bridport Prize, the Margaret Reid Poetry Prize, the Hippocrates Prize and a finalist for numerous other literary awards, including the National Poetry Competition and the BBC short story Award.

   I will share a fragment of one of the poems from this collection (the letters are not capitalized):

the silent sea

 

 it is not perhaps

our greatest crime

 

hardly worth mentioning amongst

all the heinous acts of pollution

 

oil spills and melting

ice caps but

 

we have stolen the silence

from under the waves

 

the waters that live here cannot

recall a life without the constant

 

drone of cruise ship motors

which have turned their oceans

 

into the kind of noise box

familiar to anyone

 

who ever tried to have

a conversation in a crowded nightclub

 

there’s no room for nuance

when communication means

 

someone shouting something

over a background din

 

knowing that whether or not

they will be understood

 

is left up to the guess work

of lip reading

 

the past months of sudden quiet

marked the first time the whales

 

were granted the bliss of real stillness…

 


Sunday, October 1, 2023

The Glass Café by Gary Paulsen

 


 Alice is an awesome mother: funny, smart, creative, protective and loving. Her son, Tony, is a twelve-year- old budding, talented artist. Alice works as a dancer at the Kitty Kat club, a place where Tony seeks the models for his artworks.

 When Tony’s drawings reach the local art museum, they attract unwanted attention, ignite distrust and spark concerns about Alice’s parenting. Rumors spread like wildfire and people question how responsible Alice is as a mother. The social services agency ends up getting involved…

  Both Alice and Tony are quirky and charming. The more I get to know them, the more I like them. The narrative of the novella is comical and witty. It is told from Tony’s point of view in a lively, unique voice that will entertain both teenagers and adults of all ages.

  The Glass Café is so engaging that I completed the read in about one hour; the ending left me feeling joyful and satisfied. Writers can learn a lot from Mr. Paulsen’s writing style, for there is no unnecessary rambling to bore the reader in The Glass Café.

  It is not easy to find  young adult fiction books that do not portray mothers as dysfunctional characters, so this story was refreshing.

 I appreciate the ways Mr. Paulsen shatters social prejudices. He mocks rigid-mindsets and pokes fun at bigoted attitudes and sexist, misogynistic stereotypes that put women down. He does so with grace and humor.

 Those who judge Alice’s character are probably projecting their own perversions and expressing their deep-seated bigotry. (I wonder if those readers even finished the book).

   Five stars are not enough for The Glass Café. I want to award this book many more stars.

  Gary Paulsen was a prolific writer and a three-time winner of the Newberry Honor Awards. You can check his books here:

https://www.goodreads.com/author/list/18.Gary_Paulsen